48 Hour Film Screening

0607 January 2017

London

Starting at 00.01am inside Jasmine Picot-Chapman’s exhibition A Gift Given in Feudal Fashion.

Credits:

Russian Arrival (trailer), Jasmine Picot-Chapman/Denis Villeneuve, 2016/17, 2m30sec
Born in Flames, Lizzie Borden, 1983, 1h20m
Microcosmos, Claude Nuridsany and Marie Perennou, 1996, 1h35m
The Wild Parrots of Telegraph Hill, Judy Irving, 2003, 1h23m
Wolfpack, Crystal Moselle, 2015, 1h29m
الجنّة الآن/Paradise Now, Hany Abu-Assad, 2005, 1h31m
Terrorists in Love, Chris Krauss, 1996, 5m24s
The Hunt for Red October, John McTiernan, 1990, 2h15m
Life and Debt, Stephanie Black, 2001, 1h31m
Intermission (breakfast)
A Mountain That Opens like a Door and Closes Like a Mountain, Felix Kalmenson, 2017, 10m38s
Truck Stop Trilogy, James Cabanuik, 2016, 9m6s
The Crying Game, Neil Jordan, 1992, 1h52m (selected by Anon)
The Salad Zone, Sarah Abu Abdallah, 2013, 21m27s
Determination, Zamir Suleymanov, 2013, 4m10s (selected by Sarah Abu Abdallah)
Get Rid of Yourself, Bernadette Corporation, 2003, 1h5m
In Time, Andrew Niccol, 2011, 1h49m (selected by Anon)
Flatland, Rachel Pimm, 2012, 12m25s
Manufactured Landscapes, Jennifer Baichwal, 2006, 1h34m
9 to 5, Colin Higgins, 1980, 1h49m
After effects of the self appointed miss congeniality, James Cabanuik, 2016, 3m54s
Make a Movie, James Cabanuik, 2016, 2m40s
The Bodyguard, 1992, Mick Jackson, 2h9m (selected by Adam Christensen)
Intermission (approximately midnight)
Flood, Susu Laroche, 2016, 4m6s (selected by Vera Karlsson)
Susu Laroche, 2015, 1m40s (selected by Vera Karlsson)
Quatic Menac, Susu Laroche, 2015, 2m31s (selected by Vera Karlsson)
Free Angela and All Political Prisoners, Shola Lynch, 2012, 1h42m
Proini Peripolos/Morning Patrol, Nikos Nikolaidis, 1987, 1h45m (selected by Nikhil Vettukattil)
Sud Pralad/Tropical Malady, Apichatpong Weerasethakul, 2004, 1h54m
Holy Motors, Leos Carax, 2012, 1h54m (recommended by Jonas Zukauskas)
Il Gattopardo/The Leopard, Luchino Visconti, 1963, 3h25m (selected by Chloe Frechette)
Intermission (breakfast)
The Weather Is Here, Wish You Were Beautiful, Sophie Jung, 2016, 31m25s
Bottomless, Sam Tierney, 2016, 5m59s
Live With Bad Pictures, Kembra Pfahler/Mimi Pfahler, 2015, 9m 12s (selected by Emalin Gallery)
Na Srebrnym Globie/On the Silver Globe, Andrzej Żuławski , 1988, 2h46m (selected by Susu Laroche)
Swallow, Sarah Duffy, 2012, 9m51s (selected by Sophie Jung)
Tokyo Ga, Wim Wenders, 1985, 1h30m (selected by Daiva Tubutyte)
Attenberg, Athina Rachel Tsangari, 2010, 1h35m (selected by Maya Tounta)
The Desert, Rebecca Lennon, 2016, 5m54s (selected by Sophie Jung)
Brazil, Terry Gilliam, 1986, 2h23min
Sewing Circle, Richard Kern/Kembra Pfahler, 1992, 2m53s (selected by Emalin Gallery)
Dream of Luxury, Thomas Furu, 2012, 1m26s
Haat Weelus, Esther Dillner, 2016, 4m9s
Third Party, Jasmine Johnson, 2015, 15m 38s
Jolie Object, Ella CB, 2015/16, 10m14s (selected by Vera Karlsson)
Dogstar, Vera Karlsson, 2016, 2m54s
Cetus Hardsun, Josephine Callaghan, 2012, 2m12s
River, Neil Haas, 2012, 3m41s
IMG_3371, Nikhil Vettukattil, 2016, 6m10s
The Gleaners and I, Agnes Varda, 2000, 1h22m
Music Videos, Ali Kurr, various dates
Derivatives, Ruth Angel Edwards, 2016, 17m
Sátántangó, Bela Tarr, 1994, 7h,30m
Thieves and Swindlers Are Not Allowed in Paradise, Jasmine Johnson, 2014, 9m10s

THE END

The Salad Zone, Sarah Abu Abdallah, 2013, 21m27s (Film still)